For the third year running, the Geneva motor show â the car industryâs biggest annual bash â has regrettably been cancelled, so let us look back on a happier time.
The 1956 salon was ânoteworthy for the fine array of coachwork art from Italyâ. These included Ghiaâs Jaguar XK140 (âa car to delight every enthusiastâ), a âsevere but distinctiveâ two-door based on the Mercedes-Benz 300 and a Jaguar Mk VII coupĂ© from Farina, and an âunusually beautiful little coupĂ©â made by Abarth and Bertone on a Fiat 600 (seen above in gold). And we really did mean little: the 215A was a hardly believable 3ft 8in tall.
More handmade beauties came from the only native firm present, Graber: two soft-top versions of the TC 108G from Alvis, with which it would enjoy a long, fruitful bond.
The only all-new car there was the funny little Renault Dauphine, which we suspected could strongly challenge the Volkswagen Beetle.
American and British companies also displayed healthy contingents. But even so, greatest attention within the vast halls was paid to a coach, of all things. The space-age 18-seat Golden Dolphin, made by Viberti, could be propelled by its Fiat gas turbine at up to 125mph!
Rather than brave it on a de Havilland Comet, our man went to Geneva in a Radford-built Sapphire Countryman with Armstrong Siddeleyâs exports boss. The big saloon, with a 3.4-litre straight six, âprovided restful and efficient transportâ, with a (mostly) comfy ride, easy power steering, low-speed docility and âquite happyâ 80mph cruising, âand attracted lots of attention wherever displayedâ.
Danes look on longingly
While exotica peacocked in Geneva, prohibitively taxed Danes browsed economy cars in Copenhagen and gazed longingly at the CitroĂ«n DS. Ford and Volkswagen were leading forces and got much attention with their new Zodiac and Karmann Ghia. British cars were prominent â from Nuffield brands especially â as were Germanyâs ultra-cheap microcars.
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